Encyclopædia Iranica | Articles
Very useful site for all things related to Iranian culture and literature!
Sunday, January 23, 2011
Saturday, January 15, 2011
Some famour Bangla movies (copied from another site)
Thought this is quite interesting... Lest I forget the link, it is better to copy the whole thing with credits.. I do not plan to download the movies from the torrent site (link given below)
Mukh O Mukhosh (1956): Abdul Jabbar Khan directed this trailblazer in the history of our cinema. In 1953, at a cultural programme, a non-Bangalee movie producer remarked, "The climate of this land is not fit for making movies." A worked up Jabbar decided to make a movie based on his play Dakaat right away. Making the movie was a challenge itself. The actors and most of the crewmembers had no experience in film; the shooting came to a standstill more than once due to floods. It took two years to wrap up the whole shooting process. The negative was then taken to Lahore for editing and printing and Jabbar was given a hard time there regarding the processing and bringing the final prints home. Eventually the movie starring Purnima, Ali Mansoor, Najma and others, saw the light of day on August 3, 1956 and we got our first "talkie."
Asiya (1960): The first film shot and developed in FDC (Film Development Corporation), Asiya was directed by Fateh Lohani. Focusing on the life of a village belle, the asset of the film was its music, composed by legendary folk artiste Abbasuddin Ahmed (Samar Das and Abdul Ahad also composed numbers for the movie after Abbasuddin's demise during the making of the film). Featuring Sumita Devi, Qazi Khaleque and Shaheed, the film received the prestigious President Award of Pakistan in 1961.
Harano Din (1961): Directed by Mustafiz, the film made a record as the first Bangla movie to run for 25 weeks. The romantic movie also presented the first popular on-screen couple in our cinema, Rahman-Shabnam.
Kancher Deyal (1963): One of the first feature films by the talented director, Zahir Raihan, Kancher Deyal stood out for a number of reasons. Except for a few scenes in the end, the movie was shot indoors, more specifically in a room. The movie revolved around an ill-fated orphan who had to bear maltreatment at her uncle's household. Khan Ataur Rahman's classic, Shyamol Boron Meyeti accompanied by the doe-eyed Sumita Devi's striking gaze, epitomised the quintessential Bangalee beauty.
Shutorang (1964): Directed by Subhash Dutta, Shutorang, introduced one of the most popular leading ladies of Bangla cinema, Kabori. The film fetched Dutta an award at the Asian Film Festival in Frankfurt in 1964.
Roopban (1965): During the 60s when our movie theatres were being dominated by Urdu and Hindi films, filmmaker Salahuddin made Roopban, based on a widely known paala (folklore). Starring Sujata in the title role, the movie was commercially successful and started a genre of Bangla movies based on myths and folklores.
13 No. Feku Ostagar Lane (1966): The first comedy made in this part of Bengal, the movie was directed by Bashir Hossain and featured Razzaque, Sujata, and other noted actors of the day.
Nawab Siraj-ud-Daula (1967): The first movie based on the life of the last sovereign Nawab of Bengal, Bihar and Orissa and the historical events of the Battle of Palaashi was directed by Khan Ataur Rahman. Anwar Hossain played the role of the doomed Nawab. Khan Ataur Rahman and a played other major roles in the movie.
Jibon Thekey Neya (1970): Zahir Raihan directed one of the most feted Bangla movies, Jibon Thekey Neya, featuring Khan Ataur Rahman, Rowshan Jamil, Anwar Hossain, Razzaque, and Suchanda. Raihan made a bold step with the movie by narrating the contemporary political turmoil in the then East Pakistan. The mass upsurge of 1969 was brilliantly captured in the movie by the ace filmmaker. The movie is also special for another reason: the National Anthem of Bangladesh, Amar Shonar Bangla Ami Tomae Bhalobashi was played for the first time in a Bangla movie and the song ignited the sense of Bangalee nationalism among the masses.
Ora Egaro Jon (1972): The first movie released on our Independence War, most of the lead roles were played by actors who actually fought against the Pakistani armed forces. Directed by Chashi Nazrul Islam, the movie is considered to be one of the best feature films based on the Liberation War. Khasru, Sumita Devi, and Shabana portrayed the lead roles in the film.
Rangbaaz (1973): Directed by Zahirul Haque, the movie was a trendsetter for several reasons. Rangbaaz introduced the idea of an "anti-hero" in our cinema. The movie took actors Razzaque and Kabori to new heights of popularity. The song Shey Jey Kano Elona featured in the movie became an overnight phenomenon.
Titash Ekti Nodir Naam (1973): The movie, directed by Writwik Kumar Ghatak, is an in-depth look at the lives and struggles of the community of fishermen living by the river Titash. Featuring Kabori, Prabeer Mitra, and Rozy, the movie received rave reviews both in Bangladesh and overseas.
Shimana Periye (1977): Directed by Alamgir Kabir, the film narrates a developing relationship between two individuals from different social strata, in the milieu of the 1970 cyclone. Bulbul Ahmed and Jayasree Kabir were applauded for their credible performances in the film. Songs composed by Bhupen Hazarika, like Bimoorto Ei Ratri Amar, became hugely popular.
Boshundhara (1977): Based on 23 Number Tailochitra by author Alauddin Al Azad, the movie directed by Subhasha Dutta was another movie that the sophisticated moviegoers appreciated. The movie introduced actor Iliyas Kanchan in the character of the protagonist. Bobita played the female lead.
Shareng Bou (1978): The movie directed by Abdullah Al Mamun was adapted from a novel by noted writer Shahidullah Kaiser. The film based on the lives of people living in our costal areas, was admired by many while stirring up controversy for some bold statements it made. Kabori and Faruk portrayed the lead characters. A song from the film, O Rey Neel Doriya, became one of the most treasured movie tunes in our country.
Golapi Akhon Train-e (1978): A brilliant film made by Amjad Hossain on the oppressed have-nots of rural Bangladesh, Golapi Akhon Train-e, enjoyed a phenomenal success. The movie showcasing talented actors Rowshan Jamil, Bobita, and a also brought to attention the issue of inequitable treatment of women.
Dumurer Phool (1978): The first film made in our country on differently-abled children. Child artiste Shakil was incredibly convincing in the role, so much so, many initially believed he was differently-abled in reality. Directed by Subhash Dutta, the film was honoured at international film festivals.
Shurjodighal Bari (1979): Jointly directed by Mashihuddin Shaker and Sheikh Niamat Ali, the film denotes realism in the most unpretentious way like Satyajit Ray's classic Pother Panchali does. Among films that were financed by the Bangladesh government, this was the first to be released. Set in the post World War II era, the movie depicts the eternal struggles of the exploited poor in our country who often become drifters. Rowshan Jamil, Dolly Anwar, Keramat Moula, and Elora Gohar played the major characters in the movie, which received several National Awards.
Chhutir Ghonta (1980): Based on a report covered by newspapers, the movie narrates the tragic end of child who gets locked in his school-toilet. Directed by Azizur Rahman, the movie became the talk of the nation for the credible performance by child artiste in the lead role.
Guddi (1980): Directed by Syed Salahuddin Zaki, Guddi focused on the contemporary issues, frustrations and inspirations of the urban youth. Known faces of the small screen, Raisul Islam Asad and Subarna Mustafa played the lead characters in the film. Abar Elo Je Shondhya, a song composed by Happy Akhand, which was used in the film, became a major hit.
Devdas (1982): The first film made in the country that was adapted from the timeless work by Saratchandra Chatyopadhyay. Directed by Chashi Nazrul Islam, the film featured Bulbul Ahmed and Kabori in the central roles. Through this movie, a trend of adapting literary works by the masters began.
Boro Bhalo Lok Chhilo (1982): An original movie about the modernised son of a holy man in a rural area. After the cleric's demise, the superstitious locals decide that his son should be their spiritual leader and the movie depicts the educated, rational youth's dilemmas. Hairey Manush Rongin Phanush, a song from the movie was well liked by the audience. Razzaque and Anju were in the lead roles.
Shubhoda (1986): The movie to receive the highest number of National Awards so far, Shubhoda, is a big screen adaptation of Saratchandra's novel of the same title. The film depicted the conservative Hindu society in the early 20th century. Directed by Chashi Nazrul Islam, the movie starred Razzaque, a, and Zeenat.
Beder Meye Jyotsna (1989): Commercially, the most successful Bangladeshi movie till date, Beder Meye Jyotsna revived a keen interest in folklore among filmmakers and audiences alike; a trend that was initiated by Roopban in the 1960s. Starring Iliyas Kanchan and Anju, the movie was so popular that even West Bengal made a version of it.
Chandni (1991): Veteran filmmaker Ehtesham made a comeback in Bangla films with two fresh faces -- Shabnaz and Nayeem. The on-screen couple instantly became heartthrobs of the young movie fans and thus made way for more newcomers in our film arena.
Padma Nadir Majhi (1993): Based on the timeless literary work by Manik Bandyopadhyay, Padma Nadir Majhi was directed by Gautam Ghosh. The movie illustrates the tumultuous lives of the fishermen and their families, living by the river Padma. Beautiful shots of the river, Ghosh's flair for realism and brilliant display of acting skills by noted actors of Bangladesh and West Bengal, including Utpal Dutt, Robi Ghosh, Abul Khayer, Raisul Islam Asad, Champa, and Rupa Ganguli, fetched the movie local and international honours.
Aguner Poroshmoni (1994): Celebrated author Humayun Ahmed's directorial debut, Aguner Poroshmoni is perhaps one of the most poignant narratives of our Liberation War. The cast consisting of seasoned TV actors, Abul Hayat, Dolly Zahur, Asaduzzaman Noor, and Bipasha Hayat made the tale of a middle-class family sheltering a Freedom Fighter in war-torn Dhaka, gripping and convincing.
Dipu Number 2 (1996): Directed by Morshedul Islam, Dipu Number 2, is based on a widely popular book for children by Muhammad Zafar Iqbal. Starring Arun Shaha, Bobita and Bulbul Ahmed, the movie about an adolescent's adventures was well received by the youngsters as well as adults.
Hothat Brishti (1999): A West Bengal-Bangladesh joint production, Hothat Brishti, was directed by Bashu Chatterjee and introduced Ferdaus as a film actor. The movie was premiered on BTV, starting a trend of releasing movies in theatres and holding their TV premiers simultaneously.
Srabon Megher Din (2000): The second movie directed by Humayun Ahmed. Revolving around a folk singer, his love interest and the local aristocratic family's involvement, the movie offered some beautiful folk songs like Amar Gaye Joto Dukhkho Shoy by Bari Siddiqui. Golam Mustafa, Zahid Hasan, Mahfuz, Mukti and Shaon played the main characters in the film.
Kittankhola (2000): Directed by Abu Sayeed, the film was adapted from a stage play by Selim Al Deen. Featuring Raisul Islam Asad and Naila Azad Nupur, the film brings to light the lives of jatra artistes and their struggles to make a living off the dying performing art.
Meghla Akash (2002): Starring Shabana Azmi, Meghla Akash, was one of the first feature films made in the subcontinent that dealt with the issue of HIV/AIDS. Nargis Akhter directed the movie. Moushumi and Ayyub Khan played other major roles in the film.
Matir Moina (2002): Directed by Tareque Masud, the film was initially banned from public screening by the Censor Board as it was deemed too religiously sensitive. The audience experiences the social and political turmoil during the 1960s, religious extremism and prevalent superstitions through the eyes of a young madrasa student. Matir Moina became the first feature film from Bangladesh to be selected for presentation at the world-renowned Cannes Film Festival. At Cannes, it was given the honour of being the opening film of the Directors' Fortnight section, and also won the International Critics' Prize for best film in the section. Jayanto Chatyopadhyay, Rokeya Prachee, child artistes Nurul Islam Bablu and Russell Farazi delivered commendable performances in the movie.
Lalshalu (2002): Based on Syed Waliullah's timeless creation, Lalshalu embodies the age-old tale of superstitions and naive villagers who are exploited by quacks posing as religious leaders. Raisul Islam Asad as Majid was impeccable and newcomer Chandni was impressive. The movie, directed by Tanvir Mokammel, was invited to several international film festivals and was well received by critics and movie enthusiasts.
Bachelor (2004): After years of alienating themselves from outlandish mainstream Bangla films, the educated urban youth headed to the movies to see Bachelor. Directed by Mostafa Sarwar Farooki, the film gives a true to life picture of the contemporary young urbanites and the predicaments they encounter. Popular actors Ferdaus, Shabnoor, and Aupi Karim played the central characters of the film. Songs in the film, composed by ace musicians like Ayub Bachchu, SI Tutul, and Bappa Majumdar added to the attraction.
Jaijatra (2004): Actor Tauquir Ahmed made his directorial debut with the film. Set in the milieu of the Liberation War, the overused theme of young men going to war was not the highlight of the movie. Instead it narrated an amazing tale of human endurance and budding relationships between people of different classes and creed during a catastrophe. Bipasha Hayat's famous histrionics were aptly used in the role of a mother who has just lost her only child in the mayhem created by the Pakistani soldiers' entry to the village. Other major roles played by Abul Hayat, Humayun Faridee, Tariq Anam Khan, Azizul Hakim, and Mahfuz were applauded. The film has been acclaimed nationally and internationally.
source: http://www.banglatorrents.com/showthread.php?t=2994
It seems that the above info is available in another blog: http://www.vabantar.com/Movie_Best_BDmovie.htm
Mukh O Mukhosh (1956): Abdul Jabbar Khan directed this trailblazer in the history of our cinema. In 1953, at a cultural programme, a non-Bangalee movie producer remarked, "The climate of this land is not fit for making movies." A worked up Jabbar decided to make a movie based on his play Dakaat right away. Making the movie was a challenge itself. The actors and most of the crewmembers had no experience in film; the shooting came to a standstill more than once due to floods. It took two years to wrap up the whole shooting process. The negative was then taken to Lahore for editing and printing and Jabbar was given a hard time there regarding the processing and bringing the final prints home. Eventually the movie starring Purnima, Ali Mansoor, Najma and others, saw the light of day on August 3, 1956 and we got our first "talkie."
Asiya (1960): The first film shot and developed in FDC (Film Development Corporation), Asiya was directed by Fateh Lohani. Focusing on the life of a village belle, the asset of the film was its music, composed by legendary folk artiste Abbasuddin Ahmed (Samar Das and Abdul Ahad also composed numbers for the movie after Abbasuddin's demise during the making of the film). Featuring Sumita Devi, Qazi Khaleque and Shaheed, the film received the prestigious President Award of Pakistan in 1961.
Harano Din (1961): Directed by Mustafiz, the film made a record as the first Bangla movie to run for 25 weeks. The romantic movie also presented the first popular on-screen couple in our cinema, Rahman-Shabnam.
Kancher Deyal (1963): One of the first feature films by the talented director, Zahir Raihan, Kancher Deyal stood out for a number of reasons. Except for a few scenes in the end, the movie was shot indoors, more specifically in a room. The movie revolved around an ill-fated orphan who had to bear maltreatment at her uncle's household. Khan Ataur Rahman's classic, Shyamol Boron Meyeti accompanied by the doe-eyed Sumita Devi's striking gaze, epitomised the quintessential Bangalee beauty.
Shutorang (1964): Directed by Subhash Dutta, Shutorang, introduced one of the most popular leading ladies of Bangla cinema, Kabori. The film fetched Dutta an award at the Asian Film Festival in Frankfurt in 1964.
Roopban (1965): During the 60s when our movie theatres were being dominated by Urdu and Hindi films, filmmaker Salahuddin made Roopban, based on a widely known paala (folklore). Starring Sujata in the title role, the movie was commercially successful and started a genre of Bangla movies based on myths and folklores.
13 No. Feku Ostagar Lane (1966): The first comedy made in this part of Bengal, the movie was directed by Bashir Hossain and featured Razzaque, Sujata, and other noted actors of the day.
Nawab Siraj-ud-Daula (1967): The first movie based on the life of the last sovereign Nawab of Bengal, Bihar and Orissa and the historical events of the Battle of Palaashi was directed by Khan Ataur Rahman. Anwar Hossain played the role of the doomed Nawab. Khan Ataur Rahman and a played other major roles in the movie.
Jibon Thekey Neya (1970): Zahir Raihan directed one of the most feted Bangla movies, Jibon Thekey Neya, featuring Khan Ataur Rahman, Rowshan Jamil, Anwar Hossain, Razzaque, and Suchanda. Raihan made a bold step with the movie by narrating the contemporary political turmoil in the then East Pakistan. The mass upsurge of 1969 was brilliantly captured in the movie by the ace filmmaker. The movie is also special for another reason: the National Anthem of Bangladesh, Amar Shonar Bangla Ami Tomae Bhalobashi was played for the first time in a Bangla movie and the song ignited the sense of Bangalee nationalism among the masses.
Ora Egaro Jon (1972): The first movie released on our Independence War, most of the lead roles were played by actors who actually fought against the Pakistani armed forces. Directed by Chashi Nazrul Islam, the movie is considered to be one of the best feature films based on the Liberation War. Khasru, Sumita Devi, and Shabana portrayed the lead roles in the film.
Rangbaaz (1973): Directed by Zahirul Haque, the movie was a trendsetter for several reasons. Rangbaaz introduced the idea of an "anti-hero" in our cinema. The movie took actors Razzaque and Kabori to new heights of popularity. The song Shey Jey Kano Elona featured in the movie became an overnight phenomenon.
Titash Ekti Nodir Naam (1973): The movie, directed by Writwik Kumar Ghatak, is an in-depth look at the lives and struggles of the community of fishermen living by the river Titash. Featuring Kabori, Prabeer Mitra, and Rozy, the movie received rave reviews both in Bangladesh and overseas.
Shimana Periye (1977): Directed by Alamgir Kabir, the film narrates a developing relationship between two individuals from different social strata, in the milieu of the 1970 cyclone. Bulbul Ahmed and Jayasree Kabir were applauded for their credible performances in the film. Songs composed by Bhupen Hazarika, like Bimoorto Ei Ratri Amar, became hugely popular.
Boshundhara (1977): Based on 23 Number Tailochitra by author Alauddin Al Azad, the movie directed by Subhasha Dutta was another movie that the sophisticated moviegoers appreciated. The movie introduced actor Iliyas Kanchan in the character of the protagonist. Bobita played the female lead.
Shareng Bou (1978): The movie directed by Abdullah Al Mamun was adapted from a novel by noted writer Shahidullah Kaiser. The film based on the lives of people living in our costal areas, was admired by many while stirring up controversy for some bold statements it made. Kabori and Faruk portrayed the lead characters. A song from the film, O Rey Neel Doriya, became one of the most treasured movie tunes in our country.
Golapi Akhon Train-e (1978): A brilliant film made by Amjad Hossain on the oppressed have-nots of rural Bangladesh, Golapi Akhon Train-e, enjoyed a phenomenal success. The movie showcasing talented actors Rowshan Jamil, Bobita, and a also brought to attention the issue of inequitable treatment of women.
Dumurer Phool (1978): The first film made in our country on differently-abled children. Child artiste Shakil was incredibly convincing in the role, so much so, many initially believed he was differently-abled in reality. Directed by Subhash Dutta, the film was honoured at international film festivals.
Shurjodighal Bari (1979): Jointly directed by Mashihuddin Shaker and Sheikh Niamat Ali, the film denotes realism in the most unpretentious way like Satyajit Ray's classic Pother Panchali does. Among films that were financed by the Bangladesh government, this was the first to be released. Set in the post World War II era, the movie depicts the eternal struggles of the exploited poor in our country who often become drifters. Rowshan Jamil, Dolly Anwar, Keramat Moula, and Elora Gohar played the major characters in the movie, which received several National Awards.
Chhutir Ghonta (1980): Based on a report covered by newspapers, the movie narrates the tragic end of child who gets locked in his school-toilet. Directed by Azizur Rahman, the movie became the talk of the nation for the credible performance by child artiste in the lead role.
Guddi (1980): Directed by Syed Salahuddin Zaki, Guddi focused on the contemporary issues, frustrations and inspirations of the urban youth. Known faces of the small screen, Raisul Islam Asad and Subarna Mustafa played the lead characters in the film. Abar Elo Je Shondhya, a song composed by Happy Akhand, which was used in the film, became a major hit.
Devdas (1982): The first film made in the country that was adapted from the timeless work by Saratchandra Chatyopadhyay. Directed by Chashi Nazrul Islam, the film featured Bulbul Ahmed and Kabori in the central roles. Through this movie, a trend of adapting literary works by the masters began.
Boro Bhalo Lok Chhilo (1982): An original movie about the modernised son of a holy man in a rural area. After the cleric's demise, the superstitious locals decide that his son should be their spiritual leader and the movie depicts the educated, rational youth's dilemmas. Hairey Manush Rongin Phanush, a song from the movie was well liked by the audience. Razzaque and Anju were in the lead roles.
Shubhoda (1986): The movie to receive the highest number of National Awards so far, Shubhoda, is a big screen adaptation of Saratchandra's novel of the same title. The film depicted the conservative Hindu society in the early 20th century. Directed by Chashi Nazrul Islam, the movie starred Razzaque, a, and Zeenat.
Beder Meye Jyotsna (1989): Commercially, the most successful Bangladeshi movie till date, Beder Meye Jyotsna revived a keen interest in folklore among filmmakers and audiences alike; a trend that was initiated by Roopban in the 1960s. Starring Iliyas Kanchan and Anju, the movie was so popular that even West Bengal made a version of it.
Chandni (1991): Veteran filmmaker Ehtesham made a comeback in Bangla films with two fresh faces -- Shabnaz and Nayeem. The on-screen couple instantly became heartthrobs of the young movie fans and thus made way for more newcomers in our film arena.
Padma Nadir Majhi (1993): Based on the timeless literary work by Manik Bandyopadhyay, Padma Nadir Majhi was directed by Gautam Ghosh. The movie illustrates the tumultuous lives of the fishermen and their families, living by the river Padma. Beautiful shots of the river, Ghosh's flair for realism and brilliant display of acting skills by noted actors of Bangladesh and West Bengal, including Utpal Dutt, Robi Ghosh, Abul Khayer, Raisul Islam Asad, Champa, and Rupa Ganguli, fetched the movie local and international honours.
Aguner Poroshmoni (1994): Celebrated author Humayun Ahmed's directorial debut, Aguner Poroshmoni is perhaps one of the most poignant narratives of our Liberation War. The cast consisting of seasoned TV actors, Abul Hayat, Dolly Zahur, Asaduzzaman Noor, and Bipasha Hayat made the tale of a middle-class family sheltering a Freedom Fighter in war-torn Dhaka, gripping and convincing.
Dipu Number 2 (1996): Directed by Morshedul Islam, Dipu Number 2, is based on a widely popular book for children by Muhammad Zafar Iqbal. Starring Arun Shaha, Bobita and Bulbul Ahmed, the movie about an adolescent's adventures was well received by the youngsters as well as adults.
Hothat Brishti (1999): A West Bengal-Bangladesh joint production, Hothat Brishti, was directed by Bashu Chatterjee and introduced Ferdaus as a film actor. The movie was premiered on BTV, starting a trend of releasing movies in theatres and holding their TV premiers simultaneously.
Srabon Megher Din (2000): The second movie directed by Humayun Ahmed. Revolving around a folk singer, his love interest and the local aristocratic family's involvement, the movie offered some beautiful folk songs like Amar Gaye Joto Dukhkho Shoy by Bari Siddiqui. Golam Mustafa, Zahid Hasan, Mahfuz, Mukti and Shaon played the main characters in the film.
Kittankhola (2000): Directed by Abu Sayeed, the film was adapted from a stage play by Selim Al Deen. Featuring Raisul Islam Asad and Naila Azad Nupur, the film brings to light the lives of jatra artistes and their struggles to make a living off the dying performing art.
Meghla Akash (2002): Starring Shabana Azmi, Meghla Akash, was one of the first feature films made in the subcontinent that dealt with the issue of HIV/AIDS. Nargis Akhter directed the movie. Moushumi and Ayyub Khan played other major roles in the film.
Matir Moina (2002): Directed by Tareque Masud, the film was initially banned from public screening by the Censor Board as it was deemed too religiously sensitive. The audience experiences the social and political turmoil during the 1960s, religious extremism and prevalent superstitions through the eyes of a young madrasa student. Matir Moina became the first feature film from Bangladesh to be selected for presentation at the world-renowned Cannes Film Festival. At Cannes, it was given the honour of being the opening film of the Directors' Fortnight section, and also won the International Critics' Prize for best film in the section. Jayanto Chatyopadhyay, Rokeya Prachee, child artistes Nurul Islam Bablu and Russell Farazi delivered commendable performances in the movie.
Lalshalu (2002): Based on Syed Waliullah's timeless creation, Lalshalu embodies the age-old tale of superstitions and naive villagers who are exploited by quacks posing as religious leaders. Raisul Islam Asad as Majid was impeccable and newcomer Chandni was impressive. The movie, directed by Tanvir Mokammel, was invited to several international film festivals and was well received by critics and movie enthusiasts.
Bachelor (2004): After years of alienating themselves from outlandish mainstream Bangla films, the educated urban youth headed to the movies to see Bachelor. Directed by Mostafa Sarwar Farooki, the film gives a true to life picture of the contemporary young urbanites and the predicaments they encounter. Popular actors Ferdaus, Shabnoor, and Aupi Karim played the central characters of the film. Songs in the film, composed by ace musicians like Ayub Bachchu, SI Tutul, and Bappa Majumdar added to the attraction.
Jaijatra (2004): Actor Tauquir Ahmed made his directorial debut with the film. Set in the milieu of the Liberation War, the overused theme of young men going to war was not the highlight of the movie. Instead it narrated an amazing tale of human endurance and budding relationships between people of different classes and creed during a catastrophe. Bipasha Hayat's famous histrionics were aptly used in the role of a mother who has just lost her only child in the mayhem created by the Pakistani soldiers' entry to the village. Other major roles played by Abul Hayat, Humayun Faridee, Tariq Anam Khan, Azizul Hakim, and Mahfuz were applauded. The film has been acclaimed nationally and internationally.
source: http://www.banglatorrents.com/showthread.php?t=2994
It seems that the above info is available in another blog: http://www.vabantar.com/Movie_Best_BDmovie.htm
Thursday, January 13, 2011
Cafe Pyala: The Real Blasphemers
Cafe Pyala: The Real Blasphemers: "'Mera azm itna buland hai ke paraye shaulon ka dar nahinMujhe khauf aatish-e-gul se hai, ye kaheen chaman ko jala ne de'[My resolve is so st..."
(originally posted on 5th Jan. 2011)
Friday, January 07, 2011
The Two Irfans of Pakistani print media
Just compare the latest columns of Irfan Husain of Dawn and Irfan Siddiqi of Jang both talking about similar issues but poles apart in logic.
More rose petals
"Qadri finally arrived and was feted with rose petals by supporters for the second day running."
http://www.dawn.com/2011/01/06/taseer%E2%80%99s-murderer-mumtaz-qadri-presented-in-atc.html
http://www.dawn.com/2011/01/06/taseer%E2%80%99s-murderer-mumtaz-qadri-presented-in-atc.html
Wednesday, January 05, 2011
Proposed Amendments to Pakistan Blasphemy Law
I am posting this blog entry by Xavier Williams on the above topic as it not only introduces the proposed amendments to the (now controversial) laws but also provides a historical backdrop of how they culminated into current form, starting from 1927. Please read on....
Sherry Rehman, Member of National Assembly, has through a bill proposed amendments to certain sections of Pakistan Penal Code (PPC) along with a suggestion to introduce two new sections. These provisions prescribe punishments for Offenses Relating to Religion. Her bill also includes changes to Code of Criminal Procedure (CrPC) regarding arrest, cognizance and trial of offenses under these provisions.
Proposed changes to punishments
Section 295-A was introduced in 1927 apparently after the Ghazi Ilm Din episode to provide punishment for deliberate and malicious acts intended to outrage religious feelings of any class by insulting its religion or religious beliefs. The maximum punishment under section 295-A was two years’ imprisonment of either description till 1991 when it was increased to 10 years. The bill proposes it to revert it to a maximum of two years.
Similarly, punishment for the offence of defiling of the Holy Qur’an under section 295-B introduced in 1982 by General Zia, is proposed to be reduced to imprisonment up to 5 years instead of life imprisonment.
Another blasphemy law, section 295-C, introduced in 1986 provided punishment of death or life imprisonment and fine for use of derogatory remarks in respect of the Prophet Mohammad. However, a Federal Shariat Court judgment in 1990 (cited as PLD 1991 FSC 10) rendered alternative sentence of imprisonment for life under 295-C inapplicable and death sentence compulsory, after the Court found alternative punishment of life imprisonment under 295-C against the injunctions of Islam. Sherry Rehman’s bill proposes imprisonment of either description for 10 years, or with fine, or both as punishment under section 295-C.
To read the rest of the blog, click here:
http://www.speroforum.com/site/print.asp?idarticle=45216
And, if you want to read the text of the law, here is the link:
http://www.pakistani.org/pakistan/legislation/1860/actXLVof1860.html#f108
PS:
Between 1986 and 2010, 986 people have been charged under the blasphemy laws; 50 per cent of those are non-Muslim. None of the accused has been hanged.
http://networkedblogs.com/cOWGE
Sherry Rehman, Member of National Assembly, has through a bill proposed amendments to certain sections of Pakistan Penal Code (PPC) along with a suggestion to introduce two new sections. These provisions prescribe punishments for Offenses Relating to Religion. Her bill also includes changes to Code of Criminal Procedure (CrPC) regarding arrest, cognizance and trial of offenses under these provisions.
Proposed changes to punishments
Section 295-A was introduced in 1927 apparently after the Ghazi Ilm Din episode to provide punishment for deliberate and malicious acts intended to outrage religious feelings of any class by insulting its religion or religious beliefs. The maximum punishment under section 295-A was two years’ imprisonment of either description till 1991 when it was increased to 10 years. The bill proposes it to revert it to a maximum of two years.
Similarly, punishment for the offence of defiling of the Holy Qur’an under section 295-B introduced in 1982 by General Zia, is proposed to be reduced to imprisonment up to 5 years instead of life imprisonment.
Another blasphemy law, section 295-C, introduced in 1986 provided punishment of death or life imprisonment and fine for use of derogatory remarks in respect of the Prophet Mohammad. However, a Federal Shariat Court judgment in 1990 (cited as PLD 1991 FSC 10) rendered alternative sentence of imprisonment for life under 295-C inapplicable and death sentence compulsory, after the Court found alternative punishment of life imprisonment under 295-C against the injunctions of Islam. Sherry Rehman’s bill proposes imprisonment of either description for 10 years, or with fine, or both as punishment under section 295-C.
To read the rest of the blog, click here:
http://www.speroforum.com/site/print.asp?idarticle=45216
And, if you want to read the text of the law, here is the link:
http://www.pakistani.org/pakistan/legislation/1860/actXLVof1860.html#f108
PS:
Between 1986 and 2010, 986 people have been charged under the blasphemy laws; 50 per cent of those are non-Muslim. None of the accused has been hanged.
http://networkedblogs.com/cOWGE
Wednesday, December 01, 2010
Bigotry in my country
Well where doesn't bigotry exist?
I should not say that only in my des people are radical and ultra intolerant of others. It happens in the most enlightened and the so called civilized societies too. For example take the minaret issue in Switzerland and the Hijab ban in France. However, it seems that we are just caught in the viscous cycle of our recent past. The history that was created at the time when we were fighting the war against communism (Russia) in the name of Islam. The history that was created by half cooked religious ideologies and interpretation of Islam of the Ulama of that time who wanted to make the Hukumat e Waqt happy. The generations coming later are just doomed to live with those laws. Keeping the status quo creates conflicts with the rest of the world and in some cases creates huge potential for human rights violation, like in the recent case of Asia Bibi!! The more problematic part of the whole issue is that when you look deep into the controversial aspect of the Hudood ordinance by reading the Quran and Sunnah you tend to agree more with the side in favor or repeal or amendments. Obviously, one would easily refute my argument by saying that my only my liberal bias can reach such conclusion.
I should not say that only in my des people are radical and ultra intolerant of others. It happens in the most enlightened and the so called civilized societies too. For example take the minaret issue in Switzerland and the Hijab ban in France. However, it seems that we are just caught in the viscous cycle of our recent past. The history that was created at the time when we were fighting the war against communism (Russia) in the name of Islam. The history that was created by half cooked religious ideologies and interpretation of Islam of the Ulama of that time who wanted to make the Hukumat e Waqt happy. The generations coming later are just doomed to live with those laws. Keeping the status quo creates conflicts with the rest of the world and in some cases creates huge potential for human rights violation, like in the recent case of Asia Bibi!! The more problematic part of the whole issue is that when you look deep into the controversial aspect of the Hudood ordinance by reading the Quran and Sunnah you tend to agree more with the side in favor or repeal or amendments. Obviously, one would easily refute my argument by saying that my only my liberal bias can reach such conclusion.
Sunday, November 21, 2010
Working with people like myself......
Do you know that even though all Muslims seem the same, but there are huge differences amongst them when you start rummaging through their societies, culture and laws. Yes, there are as many kinds of Muslims as you can imagine, even though most times we are lumped together with Osama bin Ladin and his ilk. There are differences in how in each society, each sub group perceive and practice their religious ideology (or dogma). Each sub-group shares some basic principals with the other groups but may be dramatically different their understanding of the shariah and fiqh for everything in life like woman's rights, purdah, performance arts, food, etc.
I think the main problem of the Muslim world stems from the fact that though we acknowledge the different interpretations of our religion but we do not tolerate the differences. The Wahabis (aka Salafi, Ahl e Hadis, Demobandi, Salafi) would not tolerate the Barelvis or the Shias. Qadianis (a renegade sect) and are pronounced non-Muslims in several Muslim countries (add ref.) and Ismali Shias are looked at with suspicion because of their devotion to Aga Khan. Sufis another group who are greatly admired for humanity and non violence, are declared non Muslims by several sects. Well, there are smaller groups of liberal/secular/progressive consisting of people from these difference sects, who want to rise above the tussles we have within the deen. And then, we also have those who are so tired of all of this or just are not religious but call themselves Muslims and keep the religion as their cultural and political identity. These groups would perhaps be considered non Muslim by literalists among us. Each sect thinks that they are right and sometimes feels free to declare some other group as Kharij or out of the religion.
I feel frustrated to see that we do not have a Ummah which would act like a body, so that when part is hurt the other parts can also feel it. Each of us is fighting to win the battle for supremacy of our own ideology. May be the Western world is right in ridiculing us!!!
I think the main problem of the Muslim world stems from the fact that though we acknowledge the different interpretations of our religion but we do not tolerate the differences. The Wahabis (aka Salafi, Ahl e Hadis, Demobandi, Salafi) would not tolerate the Barelvis or the Shias. Qadianis (a renegade sect) and are pronounced non-Muslims in several Muslim countries (add ref.) and Ismali Shias are looked at with suspicion because of their devotion to Aga Khan. Sufis another group who are greatly admired for humanity and non violence, are declared non Muslims by several sects. Well, there are smaller groups of liberal/secular/progressive consisting of people from these difference sects, who want to rise above the tussles we have within the deen. And then, we also have those who are so tired of all of this or just are not religious but call themselves Muslims and keep the religion as their cultural and political identity. These groups would perhaps be considered non Muslim by literalists among us. Each sect thinks that they are right and sometimes feels free to declare some other group as Kharij or out of the religion.
I feel frustrated to see that we do not have a Ummah which would act like a body, so that when part is hurt the other parts can also feel it. Each of us is fighting to win the battle for supremacy of our own ideology. May be the Western world is right in ridiculing us!!!
Monday, September 06, 2010
Friday, August 13, 2010
Tuesday, May 11, 2010
Bangladesh and Pakistan
There is so much venom in Bangladeshis of all age, size and color, for Pakistanis that I have given up any hope of having any reconciliation between the two countries, at least in my life time. There are strained relationships between many other countries like China and Japan, Indonesia and East Timor, Korea and Japan etc. due to one reason or other, but the amount of open hatred oozed by Bangladeshis cannot be matched by any.
I have felt it, seen it and have been targeted by it in Bangladesh and also in the US and Australia. If you look at different Bangladeshi forums on the internet, you will notice how the young and old alike like to just talk about what Pakistani army did in 1971. To the extent that war crimes are morally wrong, no matter against whom, I find the extension of hatred of the Bongs towards Pakistanis irrational and counter productive for peace in South Asia.
Despite apologies from Pakistan government, on several occasions for the atrocities of Pakistan Army perpertrated on Bengalis (East Pakistanis) in the 1971 War, Bangladeshis have neither forgiven nor forgotten the past. May be the whole nation's collective psyche has nothing else to mull about in the absence of any bright future of the poverty trapped country. A joint hatred towards Pakistan at least gives them a thread of nationalism, commonality and something to be passionate about.
It may take one or two generations for Bangladeshis to come out of their arrested development caused by living in the past and they may realize that channeling their energies to solve real problems of the country like poverty is far more useful in the long run, than to hound the Jamat leaders in the country and mourn 1971. So, may be meanwhile Pakistan and Pakistanis should stop providing apologies for the wrongs of 1971 and let time heal the wounds of the two countries.
I have felt it, seen it and have been targeted by it in Bangladesh and also in the US and Australia. If you look at different Bangladeshi forums on the internet, you will notice how the young and old alike like to just talk about what Pakistani army did in 1971. To the extent that war crimes are morally wrong, no matter against whom, I find the extension of hatred of the Bongs towards Pakistanis irrational and counter productive for peace in South Asia.
Despite apologies from Pakistan government, on several occasions for the atrocities of Pakistan Army perpertrated on Bengalis (East Pakistanis) in the 1971 War, Bangladeshis have neither forgiven nor forgotten the past. May be the whole nation's collective psyche has nothing else to mull about in the absence of any bright future of the poverty trapped country. A joint hatred towards Pakistan at least gives them a thread of nationalism, commonality and something to be passionate about.
It may take one or two generations for Bangladeshis to come out of their arrested development caused by living in the past and they may realize that channeling their energies to solve real problems of the country like poverty is far more useful in the long run, than to hound the Jamat leaders in the country and mourn 1971. So, may be meanwhile Pakistan and Pakistanis should stop providing apologies for the wrongs of 1971 and let time heal the wounds of the two countries.
Wednesday, April 14, 2010
Some ideas for research
1. Counseling of soon to be or newly married couples on reproductive health, lessons to be implemented from Iran, Jordan and Bangladesh experience. It seems that RH-Aid, a Islamabad based NGO initiated by Dr. Tariq Rahim has already started working on this idea by forming a facebook group by the name Premarital Counseling. However the facebook page does not provide any information about the activities of this group.
2. To what extent has the family planning programme achieved its goal of promoting two-child norm? Why is the ideal family size stagnant at 4 despite 5 decades of strong family planning campaigns endorsing of the benefits of two children? The ideal of 4 children is across the board in Pakistan. Women, whether they are from Balochistan or Punjab, from rural areas or urban, have education or not literate, more or less all desire to have four children.
3. What have we gained from the policy recommendations of large scale national surveys conducted so far. The study proposes an audit of the the state of research advocacy in maternal health the last 20 years.
4. Breastfeeding practices. What do people do and why? It is customary to discard first milk of the mother.... Cultural practices like insistence in of giving ghutti (prelactal) as the first feed, because of the belief that it carries on the traits of the person who gives it to the child may pose the newborn to unnecessary infections. A child who was fed ghutti may be breastfed exclusively after wards, but exclusive breastfeeding does not remain exclusive for too long because women believe that the baby needs at least water along with breast milk.
2. To what extent has the family planning programme achieved its goal of promoting two-child norm? Why is the ideal family size stagnant at 4 despite 5 decades of strong family planning campaigns endorsing of the benefits of two children? The ideal of 4 children is across the board in Pakistan. Women, whether they are from Balochistan or Punjab, from rural areas or urban, have education or not literate, more or less all desire to have four children.
3. What have we gained from the policy recommendations of large scale national surveys conducted so far. The study proposes an audit of the the state of research advocacy in maternal health the last 20 years.
4. Breastfeeding practices. What do people do and why? It is customary to discard first milk of the mother.... Cultural practices like insistence in of giving ghutti (prelactal) as the first feed, because of the belief that it carries on the traits of the person who gives it to the child may pose the newborn to unnecessary infections. A child who was fed ghutti may be breastfed exclusively after wards, but exclusive breastfeeding does not remain exclusive for too long because women believe that the baby needs at least water along with breast milk.
Monday, April 12, 2010
Who should be the advocate?
This is in direct response to Research and Advocacy Fund Pakistan's call for proposal for research and advocacy projects in Pakistan. The proposition begs the question to learn about what has happened so far to the advocacy recommendations. To what extent the research has been used in advocacy campaigns for policy or program and have materialized into the needed change.
Moreover, there is always a gap between the group conducting the research and the group who are capable and/or are interested in doing the advocacy part. It is rare to see a breed of researchers who are interested and also skilled in such utilizing the findings of their research for advocacy. I think the reasons behind such a gap are lack of realization on the researchers part that research itself is not an end in itself and just "informing" policy makers does not do the job. Secondly usually research grants do not include advocacy/research utilization component and hence researchers keep on jumping from one research project to another without ever thinking about using the results to their full extent. Thirdly, even if researchers are aware of the need of advocacy and also have the resources they may not be capable to do it on their own. In that case if an advocacy firm takes on an issue (such as abortion, emergency contraceptive pill) they may be strong in all aspects of building a campaign but may not know the technical aspects of the issue. Therefore, I think, in general, all research projects should include a component of utilization of findings and the project should not be considered complete till results are shared with with all the macro and micro stakeholders. Moreover, all project proposals should provide benchmarks and goals about advocacy once the results are finalized with clear indication of the responsibilities and time line.
And I think for real advocacy and campaigns which work, the researchers, program managers and communication/advocacy specialists have to join hands.
Moreover, there is always a gap between the group conducting the research and the group who are capable and/or are interested in doing the advocacy part. It is rare to see a breed of researchers who are interested and also skilled in such utilizing the findings of their research for advocacy. I think the reasons behind such a gap are lack of realization on the researchers part that research itself is not an end in itself and just "informing" policy makers does not do the job. Secondly usually research grants do not include advocacy/research utilization component and hence researchers keep on jumping from one research project to another without ever thinking about using the results to their full extent. Thirdly, even if researchers are aware of the need of advocacy and also have the resources they may not be capable to do it on their own. In that case if an advocacy firm takes on an issue (such as abortion, emergency contraceptive pill) they may be strong in all aspects of building a campaign but may not know the technical aspects of the issue. Therefore, I think, in general, all research projects should include a component of utilization of findings and the project should not be considered complete till results are shared with with all the macro and micro stakeholders. Moreover, all project proposals should provide benchmarks and goals about advocacy once the results are finalized with clear indication of the responsibilities and time line.
And I think for real advocacy and campaigns which work, the researchers, program managers and communication/advocacy specialists have to join hands.
The gap between findings and policy of family planning in Pakistan
The latest statistics from Pakistan put Research has shown again and again that people in Pakistan are more comfortable with traditional family planning methods such as withdrawal, safe days and condom (PDHS 1990, 2006-07). These three methods account for almost half of the contraceptive usage in Pakistan (14.5 percent women use either of the three methods while CPR is 29.6 percent).
Non hormonal methods such as withdrawal is the one of the most favorite among most married men and women of the country (Casterline, Sathar and Haque 2001) just because it is free, readily available and has no side effects. The caveats are higher failure rate than hormonal or other barrier methods and dependency upon husband's cooperation to use. I personally consider withdrawal superior over condom and safe days method. For condom usage access (including geographic, financial, social and personal) still remains a barrier, cumbersome to use when sex is a quick act in a room shared with family members, requires storage and disposal after usage both of which may violate privacy for couples in country like ours where most people share sleeping areas with others.
Hormonal methods including pills, injectables and IUD which are considered the best also have the worst side affects. Fear of actual and perceived side effects lead to non use and discontinuation of contraception. Based on my personal conversations with colleagues who are involved in family planning research I learnt that withdrawal and condoms are the most favorite and the very same people who promote (in whatever way) hormonal methods would not consider those methods for themselves. A quick look at the latest PDHS data also shows that contrary to the expectation, the users of withdrawal and condoms are more educated, urban and more resourceful than users of injectable and pills. My point is that if people learn how to use traditional methods (Withdrawal, safe days, LAM) and modern methods at the same time, they would most probably go for the latter, unless they have completed their desired family size--for which they would prefer female sterilization.
Despite such findings, it is baffling to know that the emphasis of our government is always on promoting the so called modern (mostly hormonal) contraceptive methods, all in the name of effectiveness. I agree that effectiveness should be important, but in the scenario where accessibility and non-existence of side effects support natural methods and many would rather take chances of pregnancy rather than using a modern family planning method. I think in such cases the benefits of modern methods are seriously undermined where people are willing to go as far as induced abortion due to lack of use. (Please note that in Pakistan almost a million abortions are conducted every year)
Non hormonal methods such as withdrawal is the one of the most favorite among most married men and women of the country (Casterline, Sathar and Haque 2001) just because it is free, readily available and has no side effects. The caveats are higher failure rate than hormonal or other barrier methods and dependency upon husband's cooperation to use. I personally consider withdrawal superior over condom and safe days method. For condom usage access (including geographic, financial, social and personal) still remains a barrier, cumbersome to use when sex is a quick act in a room shared with family members, requires storage and disposal after usage both of which may violate privacy for couples in country like ours where most people share sleeping areas with others.
Hormonal methods including pills, injectables and IUD which are considered the best also have the worst side affects. Fear of actual and perceived side effects lead to non use and discontinuation of contraception. Based on my personal conversations with colleagues who are involved in family planning research I learnt that withdrawal and condoms are the most favorite and the very same people who promote (in whatever way) hormonal methods would not consider those methods for themselves. A quick look at the latest PDHS data also shows that contrary to the expectation, the users of withdrawal and condoms are more educated, urban and more resourceful than users of injectable and pills. My point is that if people learn how to use traditional methods (Withdrawal, safe days, LAM) and modern methods at the same time, they would most probably go for the latter, unless they have completed their desired family size--for which they would prefer female sterilization.
Despite such findings, it is baffling to know that the emphasis of our government is always on promoting the so called modern (mostly hormonal) contraceptive methods, all in the name of effectiveness. I agree that effectiveness should be important, but in the scenario where accessibility and non-existence of side effects support natural methods and many would rather take chances of pregnancy rather than using a modern family planning method. I think in such cases the benefits of modern methods are seriously undermined where people are willing to go as far as induced abortion due to lack of use. (Please note that in Pakistan almost a million abortions are conducted every year)
Friday, April 09, 2010
Every Mother Counts
Reproductive health encompasses any factor which has direct bearing on human reproduction and reproductive ability. The spectrum of RH spans from menstruation, sexual health, fertility, child birth and maternal health, breastfeeding and care of the new born, family planning to menopause.
Given the personal and sensitive nature of this terrain, it is a much neglected topic in our country. Be it at a state level or home talking about of RH is mired in shame and cultural taboos. Unmarried youth are especially kept far from any kind of information with the idea that they will come to learn about these things when "time comes", implying after marriage and the child birth. There is no formal mechanism for the youth of Pakistan to learn about any aspect of RH till they are in dire need or have suffered consequences of lack of knowledge. On one hand we are against providing the so called sex-education, which may be a vehicle for imparting life saving information to youngsters of the country and on the other we have certain cultural practices which are harmful and detrimental for health. For example it is common practice in Pakistan to give Ghutti (usually honey, and sometimes spit of an elder) to a newborn, while medical research has proven that the best food for the baby is mother's milk which should be given right after birth.
Considering the nature of distance of Pakistani youth with health issues, the JHUCCP, PAIMAN Pakistan and White Ribbon Alliance Pakistan organized a painting competition on the topic of maternal deaths at the University of Fatima Jinnah Women University, Rawalpindi on 9th April 2010. Thirty students (mostly females) from Fatima Jinnah University, Federal Government Women's College F-7/2, Islamabad, National College of Arts, Beacon House and City School took part in the competition. The paintings were all themed around maternal health and mortality and were created using oil paints on canvass. Average painting was about 3' x 2'.
It was a mega event entitled "Every Mother Counts". Deputy Speaker National Assembly Mr. Kundi, Dr. Nabila Ali the Chief of Party of PAIMAN, Director of National MNCH Program, Dr. Amanullah Khan of White Ribbon Alliance along with the Vice Chancellor of Fatima Jinnah University presided over the proceedings. Dr. Ali shared overall situation of maternal mortality in Pakistan and enlightened the audience about the direct and social causes which contribute to maternal deaths and morbidity. Dr. Khan presented the state of newborns in the country. Dr. Ali and Dr. Khan's presentation on maternal and child health went very well with the students and I am sure they went home with renewed interest in doing something to save the mothers and newborns of Pakistan. After the proceedings, two of the best paintings were given cash prizes, judged by renowned artist Mr. Jamal Shah.
While the paintings were amazing and captured the theme of the plight of maternal health issues (especially maternal mortality) very well, I was seriously disappointed by the "youth perspective" on health status of women of Pakistan, provided by two bright women of the organizing university. The girls had the perfect pitch and delivery in English with an eloquently written text on the topic but failed to deliver what the topic of their presentation promised us--the youth perspective. While listening to the students, I felt that they do not know where and how to access good quality research material related to RH in general and in particular maternal health. I laud their effort and courage in presenting their ideas in that august forum but at the same time I think their talent and time was wasted. If finding the state of health of Pakistani women was so hard, they could have gathered the views of fellow students of the very topic which would actually have provided the "youth perspective" on the topic!!
But anyway, in my view, one small thing that the research/NGO sector can do is fill the knowledge gap. I think a handbook and/or website on RH in Pakistan with latest statistics, a short description of the rates and ratios and sources of information and sources of data and information would go a long way in at least spreading information which will hopefully lead to better knowledge and improved attitudes and behavior for RH.
Given the personal and sensitive nature of this terrain, it is a much neglected topic in our country. Be it at a state level or home talking about of RH is mired in shame and cultural taboos. Unmarried youth are especially kept far from any kind of information with the idea that they will come to learn about these things when "time comes", implying after marriage and the child birth. There is no formal mechanism for the youth of Pakistan to learn about any aspect of RH till they are in dire need or have suffered consequences of lack of knowledge. On one hand we are against providing the so called sex-education, which may be a vehicle for imparting life saving information to youngsters of the country and on the other we have certain cultural practices which are harmful and detrimental for health. For example it is common practice in Pakistan to give Ghutti (usually honey, and sometimes spit of an elder) to a newborn, while medical research has proven that the best food for the baby is mother's milk which should be given right after birth.
Considering the nature of distance of Pakistani youth with health issues, the JHUCCP, PAIMAN Pakistan and White Ribbon Alliance Pakistan organized a painting competition on the topic of maternal deaths at the University of Fatima Jinnah Women University, Rawalpindi on 9th April 2010. Thirty students (mostly females) from Fatima Jinnah University, Federal Government Women's College F-7/2, Islamabad, National College of Arts, Beacon House and City School took part in the competition. The paintings were all themed around maternal health and mortality and were created using oil paints on canvass. Average painting was about 3' x 2'.
It was a mega event entitled "Every Mother Counts". Deputy Speaker National Assembly Mr. Kundi, Dr. Nabila Ali the Chief of Party of PAIMAN, Director of National MNCH Program, Dr. Amanullah Khan of White Ribbon Alliance along with the Vice Chancellor of Fatima Jinnah University presided over the proceedings. Dr. Ali shared overall situation of maternal mortality in Pakistan and enlightened the audience about the direct and social causes which contribute to maternal deaths and morbidity. Dr. Khan presented the state of newborns in the country. Dr. Ali and Dr. Khan's presentation on maternal and child health went very well with the students and I am sure they went home with renewed interest in doing something to save the mothers and newborns of Pakistan. After the proceedings, two of the best paintings were given cash prizes, judged by renowned artist Mr. Jamal Shah.
While the paintings were amazing and captured the theme of the plight of maternal health issues (especially maternal mortality) very well, I was seriously disappointed by the "youth perspective" on health status of women of Pakistan, provided by two bright women of the organizing university. The girls had the perfect pitch and delivery in English with an eloquently written text on the topic but failed to deliver what the topic of their presentation promised us--the youth perspective. While listening to the students, I felt that they do not know where and how to access good quality research material related to RH in general and in particular maternal health. I laud their effort and courage in presenting their ideas in that august forum but at the same time I think their talent and time was wasted. If finding the state of health of Pakistani women was so hard, they could have gathered the views of fellow students of the very topic which would actually have provided the "youth perspective" on the topic!!
But anyway, in my view, one small thing that the research/NGO sector can do is fill the knowledge gap. I think a handbook and/or website on RH in Pakistan with latest statistics, a short description of the rates and ratios and sources of information and sources of data and information would go a long way in at least spreading information which will hopefully lead to better knowledge and improved attitudes and behavior for RH.
Thursday, April 08, 2010
The road to Multan (29 March 2010)
Let me confess that when I started my journey towards Multan, I had certain pre-conceptions about South Punjab. I was all aware of the recent "Talibanization" of Pakistan, especially the fact that the Taliban brand has taken foothold in Punjab too!!! Hence, I took the road trip with a certain sense of trepidation and adventure and let the driver use the famous and infamous Multan-Mianwali Road instead of the motorway! Yes I did expect to see the roads filled with Go America Go slogans or extra ordinary surge towards Islamization, like wall chalking to enforce purdah, anti movies and music etc. My imagination was fertile with the activities of the Lal Masjid moral police of 2006 and before.
However, as the car moved along and left central Punjab the things I noticed most were large wall advertisements of hakims promising treatment for all kinds of male sexual problems, mobile phones, soothsayers and black magic practitioners who supposedly solve all problems include bringing your lover to your feet and sending you to america! Come Minawali, I notice a impressive university building, NAMAL which will start its first session in Fall this year and is affiliated with Bradford University UK. Had lunch from a roadside hotel. Note it was not a driver hote. My driver thought it was safer and more respectable to take me to a proper hotel. Upon entering the restaurant felt a bit intimidated with the hall full of males in traditional garb and features that are hardened with life. I sensed a momentary unease and made sure that my chador covered my body and head fully and asked to be seated... The manager said that he will find a room for me and pointed to a waiter for help. I said, no I am OK if u can give me a corner place to sit but they insisted and i was taken to a room on the 2nd floor of the hotel. I was told that they are having a party downstairs and i will not be comfortable there. Of course i did not expect any women to attend the party and hence felt better sitting in a room to have lunch... The food, chicken curry (even though they had a selection ranging from all kinds of Pakistani and Chinese dishes) served by a young flirtatious waiter was extremely delicious! The lunch was uneventful otherwise.
Multan was still 4-6 hours away. My excitement started fazing out when i saw several accidents on the way. Combined with the fact that it was hot and i had forgotten my ID card at home I started worrying a bit. To distract myself I took out my camera and started shooting anything that i found interesting and was possible to be snapped!
Throughout the event I did not notice anything peculiarly different than my previous trips to this region in 1998, 2003, 2004 and 2007 with the exception of dryer rivers and inundation of the region with mobile phone company ads. Politeness, piety, purdah, and poverty, seemed the same, perhaps the later perhaps had increased in the last few years. During the whole journey the only thing I could think of was the sufis, saints and the legendary lovers from Punjab and Sindh who seem to be the biggest source of inspiration and comfort for people who live there.
However, I knew that the notorious Pak-Afghan border region of DI Khan and Wana are not too far and could not stop thinking about the terrorism and its causes. I had also heard about the seeping of such ideologies from the borders to Waziristan and then to Punjab. However, at the same time I could not reconcile with the fact that the lovers love stories and sufi teachings could or would embrace any form of Talibanization. Where do I find an answer to such an anomaly, if there is such such thing. Is the desperation for survival so bad for some people that they would give up their traditions of generations of non violence and agree to blow themselves up to kills others? I could not see any form of such desolation. Of course my trip was too short to make any judgment about what was actually going on there. Should I also try to find my answer in conspiracy theories which purports that the streak of violence in Pakistan is mediated by India and Israel! Whatever the answer is, the fact remains that terrorism is a sad reality of Pakistan and terrorists come in all forms, shapes, colors and ethnic groups. Perhaps my I was also bewildered by the fact that we talk about sufism crushing the slafi brand of Islam but I do not see how that could be done when the followers of saints could be lured to the dogma of vengeance and intolerance.
I guess my journey made me realize that more than terrorism, Pakistan's biggest threat is looming crisis of food, water and power shortages for the fast growing population. The general public seem not to care or know about Blackwater, details of KL bill, the Mehsuds and the Bradars. They just want to survive and let others survive.
Thursday, March 25, 2010
Perils, Politeness and Paranoia
I arrived in Pakistan on the 15th of March after a gap of almost two years. Since my arrival the biggest thought on my mind was terrorism. It took me more than a week to stop worrying about suicide and other kinds of blasts. During that period, whenever I passed through security, each step towards towards the metal detector, sight of the men behind sandbags with guns pointed at you, barriers at all main roads of city reminded me of the movie Hurt Locker. I felt like walking in mine field where anything could happen at any time. During that crucial first weeks, any parked vehicle, motorcycle made me think that may be this one could go off... Wandering men/boys on the street made me think of all possible nightmares... I know that all of that is due my paranoia which you develop after spending too many days in a developed and secure society. I did not see or get that sense of anxiety among the general public. If any tragedy happens in any of the border towns or smaller places in far flung areas, no one talks about them except the news channels. If there is a blast in a major city (small or big) there is hoo ha, fear and agitated discussions for few days and all is forgotten as if nothing happened. Life goes on as before.
It sometimes brought tears my eyes to see the people who are involved with security checking--the "fodder" of the society who are at the highest risk to be blown off-- are doing their job with utmost politeness. In my view, some are nice and respectful to the point of risking their lives. Like the last week I had work in a highly secure building. During the few days I visited the place the guards became extremely nice to me just because I was "frequent" visitor, may be because of my gender and also because I treated them with respect and was very forthcoming to getting my belongings checked!!! While it feels really nice to enjoy the respect and trust, but at the same time I feel sorry for my country where we are slowly being forced to forego our culture of Tahzeeb, hospitality, care and trust in the name of security. Of course security comes first, but is there no other alternative? Are we doomed to live in a police state forever? I hope that we do not lose our culture of trust, respect and politeness in the mindless fight of terrorism and the state of paranoia, denial and fear is only for now.
It sometimes brought tears my eyes to see the people who are involved with security checking--the "fodder" of the society who are at the highest risk to be blown off-- are doing their job with utmost politeness. In my view, some are nice and respectful to the point of risking their lives. Like the last week I had work in a highly secure building. During the few days I visited the place the guards became extremely nice to me just because I was "frequent" visitor, may be because of my gender and also because I treated them with respect and was very forthcoming to getting my belongings checked!!! While it feels really nice to enjoy the respect and trust, but at the same time I feel sorry for my country where we are slowly being forced to forego our culture of Tahzeeb, hospitality, care and trust in the name of security. Of course security comes first, but is there no other alternative? Are we doomed to live in a police state forever? I hope that we do not lose our culture of trust, respect and politeness in the mindless fight of terrorism and the state of paranoia, denial and fear is only for now.
Wednesday, March 24, 2010
Development Sector in Pakistan
There is a mafia in the development sector of Pakistan and let me confess, I am part of it. The big sharks are the donors like USAID, UN agencies, World Bank, ADB, DfID, different foundations etc. Then there are big research and program organizations like Population Council, Asia Foundation, FHI, JSI, WPF, Path Finder etc. The third tier would be the large national level "NGOS" like Rozan, Amal, Sahil and many others who get funding from the donors or other the large international organizations. The last tier would be organizations who are working at local level ranging from small one man shows like RH-Aid to large grassroots organizations like Bunyad, Behbood etc.
These organizations have different missions and mandates, however the common denominator among them is "development" which means that they are working towards "developing" our country. We can say that their work is supposed to improve lives of Pakistan's population.
My critique to all of these organizations, especially those who are working on pure or the so called operations research to show what is their dollar for dollar impact for Pakistan. The only measurable and visible impact is on the people who are lucky enough to find work with these organizations. Those staff have no doubt benefited tremendously from the millions of dollars channeled in the name of research and development to our country. In the last 5 years a few hundred million dollars were thrown to the maternal and child health sector. What did the ordinary people of Pakistan, gain from those millions!!!
These organizations have different missions and mandates, however the common denominator among them is "development" which means that they are working towards "developing" our country. We can say that their work is supposed to improve lives of Pakistan's population.
My critique to all of these organizations, especially those who are working on pure or the so called operations research to show what is their dollar for dollar impact for Pakistan. The only measurable and visible impact is on the people who are lucky enough to find work with these organizations. Those staff have no doubt benefited tremendously from the millions of dollars channeled in the name of research and development to our country. In the last 5 years a few hundred million dollars were thrown to the maternal and child health sector. What did the ordinary people of Pakistan, gain from those millions!!!
Wednesday, March 10, 2010
Leisure
Leisure is a privilege- especially for girls and women in Pakistan. A girl in a village in Balochistan would spend all her time doing household work like washing dishes, cleaning their mud-floor house, cooking, bringing water, taking care of the young and the old in the family.
Is leisure fun? What is leisure? Does spending time doing nothing, chatting with friends, taking a nap count as leisure. Leisure is something that you do to spend your time enjoyably. It implies that you have the economic and social means to do that.
Is leisure fun? What is leisure? Does spending time doing nothing, chatting with friends, taking a nap count as leisure. Leisure is something that you do to spend your time enjoyably. It implies that you have the economic and social means to do that.
Tuesday, March 09, 2010
Taslima Nasrin's Burqa article
Self proclaimed religious scholar and feminist from Bangladesh (now estranged citizen) landed herself in a fresh series of controversy with her latest views on Burqa Let's Think Again About The Burqa, the traditional covering garb of many South Asian women. This article was published by Outlook India (and others) and immediately sparked off riots resulting in the deaths of 2 civilians in Kannada!
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